[PDF.02pm] Wonder Woman: Bondage and Feminism in the Marston/Peter Comics, 1941-1948 (Comics Culture)
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Wonder Woman: Bondage and Feminism in the Marston/Peter Comics, 1941-1948 (Comics Culture)
Noah Berlatsky
[PDF.yo92] Wonder Woman: Bondage and Feminism in the Marston/Peter Comics, 1941-1948 (Comics Culture)
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| #1078333 in Books | 2015-01-02 | 2014-12-08 | Original language:English | PDF # 1 | 9.00 x.60 x6.00l,.0 | File type: PDF | 264 pages||0 of 0 people found the following review helpful.| Thought-Provoking, but Some Conclusions Unsupported|By RDD|In "Wonder Woman: Bondage and Feminism in the Marston/Peter Comics, 1941-1948", Noah Berlatsky argues, “'Wonder Woman', the original comic, was much more interesting, beautiful, and worthwhile than Wonder Woman the popular icon” (pg. 187). He draws upon queer theory, performance theory, and gender theory in||
"In this smart and engaging book, Noah Berlatsky reveals how psychology, polyamory, bondage, feminism, and queer identities inspired comic books' most enduring superheroine. A fascinating read for anyone interested in comics, pop culture, or gender p
William Marston was an unusual man—a psychologist, a soft-porn pulp novelist, more than a bit of a carny, and the (self-declared) inventor of the lie detector. He was also the creator of Wonder Woman, the comic that he used to express two of his greatest passions: feminism and women in bondage.
You can specify the type of files you want, for your gadget.Wonder Woman: Bondage and Feminism in the Marston/Peter Comics, 1941-1948 (Comics Culture) | Noah Berlatsky.Not only was the story interesting, engaging and relatable, it also teaches lessons.
